If it is true that there are only four stories, then Pride and Prejudice must be one of them. Poor but proud woman spurns and loves rich, humourless man. Women consistently vote for Pride and Prejudice as their favourite novel, ever. Mr Darcy remains the most romantic figure created, ever.And also this:
Dignity is perhaps the most important thing in a romantic hero, which is why Hugh Grant was always going to lose out to Firth. The greatest fantasy figures - Mr Rochester, Maxim de Winter, Heathcliff - are all grumpy.And again this:
They are also, I am afraid to say, men of means. Women can run off with the poor and light-hearted (and usually artistic) - as Dorothea Brooke did when she chose Will Ladislaw, but it was not really very satisfactory, was it? I am still suspicious when women describe their menfolk as "supportive". It usually means economically unsupportive, and they tumble down the romantic league table.
And yet more, this to be relevant when we get to BJD:
Working Title is proud of its contemporary Elizabeth Bennet in Keira Knightley. No bodices and bonnets here. You would not be surprised to see Lizzy rolling a cigarette on the kitchen table. By contrast, Matthew Macfadyen is resolutely period, with a deep voice and breeches.To which I say, "Cad, Curate or Colin Firth"